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CITIZINE REVIEWS
New Punk Rocks Out
Latest releases
from Daiquiri, All or Nothing
HC, Gambling
Aces, The Hollow
Points, The Matches,
Nekromantix, Smut
Peddlers, and The
Soviettes keep the spirit alive.
Plus! International
punk rock compilation
To the Bitter End.
By Mark Prindle
www.markprindle.com
Daiquiri
Box Office Poison
(Kharbe, 2004)
If Sparks had entered the '80s by getting really
into Japanese spaz-electro-noise-rock instead of the Human League,
they'd sound identical to Daiquiri.
The vocalist wails, shouts and falsettos like the illegitimate bastard
child of Russell Mael and Mike Patton after Mike Patton has had
a sex change and turned into a woman so that he can give birth.
The music mixes high buzzy swirly ridiculous synth noises with fast
bouncy-fun beats and distorted Big Metal guitars. The result sounds
like a carnival of LSD users driving their bus 500 miles-an-hour
along a desert road that's completely engulfed in flames. Which
is weird because they're from Canada.
All
Or Nothing H.C.
What Doesn't Kill You
(Rodent Popsicle, 2004)
YELLS at you! Just like label owners Toxic
Narcotic, All Or Nothing HC specialize in high-speed, mean-spirited,
headbanging hardcore punk rock. And just like classic HC legends
The Avengers, they have a female singer. However, they wasted their
only chance to call themselves The Toxic Avengers, an unforgivable
offense under any reign (especially Idi Amin -- that guy ATE HIS
WIFE!!!).
So Alanis Morrisette is marrying Burt Reynolds and
All Or Nothing H.C. are using their own band name to tell you what
kind of music they play -- just like The Jazz Passengers and The
Pop Group before them (and the Red Rockers) (and Metal Church).
The singer woman alternates between a low muggsy blurble Sheryl
Crow blues croon and a really awesome (and adorable!) high-pitched
scream reminiscent of that woman in Nausea, whoever the hell she
was.
The musicians (two bassists, guitarist and drummer)
beat the pissed-off angerness out of their instruments, and Renae
the singer is cool enough to include explanations and background
for her lyrics, giving them much more heft than you would normally
allow punk lyrics to have. For example, "Lead, Follow or Get
Out Of Way" was inspired by the graduate courses she took in
educational administration, "Erase" is about her biological
father, and "Knife To My Neck" is about her own personal
9/11 nightmare -- eight years earlier, but every bit as horrific.
If you're into these modern kids and their loud
distorted fast punker motorcycle rock, All Or Nothing HC have a
CD out and as far as I can tell, you don't own it yet. Why is that?
Could it be that your sexuality is threatened by their female singer?
Face it -- you're gay. Just admit it. Nobody's going to make fun
of your hilariously small penis. It's perfectly natural to ejaculate
before you get your pants off. You can't go on blaming your inadequacies
on the women of the world. Nobody's going to laugh when they see
these pictures I have of you sticking your finger up your butt.
Gambling
Aces
No Regrets
(Smelvis, 2003)
The Gambling Aces play so fast, I can't keep
up with my typing! Theirhardcore punkrae rock is ASTE! Tey've got
ENGERYGY! WHOA!!! Fast, catchy, shout/sung vocals, cute one-finger
guitar solos (talent!), simple but great chord progressions, wonderfully
misspelled song titles like "Heart On My Sleve" and the
whole adrenaline-drenched heart palpitation is over and done with
in less time than it takes to shout, "YEEEEAH!" (and then
recite an entire telephone book). Punk's gotta stay mean, fun and
unpolished. And Gambling Aces are here to ensure that that's exactly
what happens. And that's why they keep beating the shit out of Blink-182
in the public mall!
The
Hollow Points
Annihilation EP
(Dirtnap, 2004)
Seattle's The Hollow Points missed out on
the best in life, back when every single band in their town sounded
like Eddie Vedder. But punk rock will always have its day in a post-youth
AAAmerica, even when played with a heavy metal guitar tone.
Their songwriting seems to be influenced by Bad
Religion and Agent Orange as well as your basic pop-punk outfits.
The singer has sort of a raspy voice probably from yelling too much,
and the song "See Ya In Hell" is sadly not a cover of
that awesome Grip Reaper song. Lyrical content addresses such hollow
points as hopeless suicide ("The Hemingway Solution"),
the deteriorating effects of alcohol abuse ("Annihilation"),
the deteriorating effects of drug abuse ("See You In Hell,
My Friends" by Grim Reaper), our nogoodnick government ("Bereaved")
and the deteriorating effects of the Dead Kennedys' awesome 1982
song "Riot" ("Bullet Holes In City Walls").
This music is the direct effect of every influence
and idea that has penetrated the lives of these three young people
from birth through 2003. Depending on your background and influences,
you may like these five songs or you may not. I get the feeling
that I would have loved it back in the days when every new hardcore
band was a wonderful surprise and bounty (including Adrenaline OD,
who were never any good at ALL!). Even as it is, with so many punk
rock songs already circling my brain from decades past, it sounds
pretty good. At least they sound tough and angry, which is more
than I can say for 90% of the prissy little happy punk bands on
Kung Fu (unless Joe Escalante reads this, in which case -- dude,
Antifreeze KICKS ASS!).
(And they TEAR!!!)
The
Matches
E. Von Dahl Killed The Locals
(Epitaph, 2004)
Much like the "old man" character in any
fine action-packed Hollywood bonanza film, "I'm too old for
this shit." And I'm quite sure that The Matches and
their fan base would agree. I'm 30 years old, my neck aches constantly,
and I am fairly familiar with around 20,000 previously-recorded
albums in the "rock" genre. As number 20,001, E. Von
Dahl Killed The Locals has nothing new to offer me. The oldest
chord sequences in the world (A! Now E! Now D! Now A again! Okay,
we've all learned it. Hit 'record'!), fake ska, mid-tempo power
pop, fratboy backup vocals, a couple of slightly upper-tempo "punk"
songs with a wink and sports event replacing the anger and idiosyncrasy
once supposedly typified by the genre -- all this is fine if you're
a 14-year-old girl, especially if the band members are cute and
their hair sticks up. And believe me, I wish The Matches all the
luck in the world with that particular demographic. But I can't
follow them there.
Because every time I see a 14-year-old girl, I get
arrested for "statutory boner."
Nekromantix
Dead Girls Don't Cry
(Epitaph / Hellcat, 2004)
After briefly soaking in the band name, album title,
and alien shadow cover art, I resigned myself to sitting through
another one of those funless industrial-goth CDs that seem to keep
showing up at my home like a bad penis. But then I turned the CD
package over and three '50s-haired crazy retro-punk motorbike Stray
Cat death rockers greeted me with tattoos and grimaces! I guess
it's true what they say -- never judge a book by its cover! I then
sat down to read my new book Dead Girls Don't Cry by Oprah
Book Club Award-winning author Nekro Mantix. Within minutes, my
eyes collided brutally with a compact disc and the rest, as he says,
is theystory!
If I may be entirely less vague and word-heavy for
a moment, the Danish trio Nekromantix dwells in the swing-happy
world of "psychobilly," presumably founded by The Cramps
of the Northeast U.S. so many years hence. This is their seventh
stab at rockin' bones action since their 1989 entrée, and
was apparently written and bashed out in about four minutes. The
result is punkabillically burning and primitive, the pace anxious
and sinister. Are you scared? DO be! Because, by filling their dry
ice machine with Zyklon-B, Nekromantix literally murders everybody
who attends their concerts! Song titles include "Black Wedding,"
"What's On Your Neighbor's BBQ," "Ghoulina"
and "Where Do Monsters Go."
Smut
Peddlers
Coming Out
(TKO)
This rock and roll quintet has a female drummer
and loves The Ramones! The double-guitar chords come out at your
head fastly, furiously and quickeningly. Song titles include "Hamburger
Deerns," "State Of The State," "Rebatron Party"
and "My Old Addictions." Member nicknames include "The
Duck," "Smut" and "Stiffness." Song tempos
include fast. American punk rock has always been a friend of society
and now is no time to make that stop, especially when it includes
35 minutes of video footage that you can watch on the old computer
dish. So get out the computer dish! Now's the time for some Smut
and the Pellde!
It's such a fine line between an advertisement and
a review. Sometimes I find myself crossing that line. Usually it
results in lengthy torturous prison sentences, but it's worth it
if I can help sell just ONE Smut Peddlers CD. In fact, if there
were a way to contract cancer and AIDS concurrently in such a way
that my rotting, dying body would expel gaseous fumes that spelled
out "The Smut Peddlers -- Brought To You By TKO Records!,"
I would say, "Hand me that sweet virus cocktail, Mr. Syringe."
Actually cancer isn't caused by a virus. FUCK! IT'S
LIKE I CAN'T WIN!!!!
The
Soviettes
LP II
(Adeline, 2004)
You can't lie to an American man. That's how I know
these so-called "Soviettes" aren't really from behind
the Iron Curtain at all. That and the American accent -- unless
UNLESS!!!! They've taken LANGUAGE courses! Oh, that dastardly Red
Kaiser; I'll get him yet!
In the meantime, how about three girls and one man
playing really cute fun catchy fast punk rock with a raw garage
guitar tone filled with fuzz and skrinkle instead of roar and "rah-rah-rarararara-RAH!"
Every band member sings, and the songs are melodic and everything.
And one of them TOTALLY quotes The Cure! You've heard The Cure,
right? That band with Ric Ocasek and Ian Astbury?
As for The Soviettes, I would argue that
judging by the name, this is their second album. The cover's bright
orange though, so cover your eyes before looking for it in the grocery/music
store. They're lyrically adorable too: "Ten" tells ten
reasons why the singer loves you (including "Because you're
funny" and "You think I'm sexy!") and "Pass
The Flashlight" is built around a silly rhythmic conversation
between drummer Danny and tha ladies. Even if I hated music, I would
like the Soviettes. Since I DON'T hate music, you can only IMAGINE
how I feel about them!
Because I'm not going to tell you. Now FUCK OFF!!!!
Various
Artists
To The Bitter End:
International Punk Hardcore Compilation
(Vinehell, 2004)
In cities all over America, there are countries
featuring young people who like to play loud, fast, political, shouting,
old school hardcore punk. Many will argue that Punk Is Dead, but
those people are jealous unhappy ASSHOLES. Something is only dead
if nobody is into it anymore (like a corpse), and plenty of people
all over society and the cosmos enjoy fast violent music to slam
dance to. So Up The Academy of so-called big shooters who think
they can take away my right to shout "Oi!" and grow my
hair into a mohawk while using nothing but strength of will to keep
the sides from growing in.
And that's the message of this 29-song compilation,
which features bands from the USA, Estonia, UK, Germany, Canada,
Sweden, Mexico, Australia, Japan, Brazil, Finland, Russia, Israel
and some place called Slovakia which I think is between Canada and
the USA. Can you believe that such a genre of clarity and longevity
has continued to rile the impassioned children of so many earthly
spots of today? I do -- and CAN! This is fast hardcore punk -- no
fratboy pop-punk or modern screaming rap-metal. Buy it, love those
simple riffs and be pleased that there are still bands out there
with controversial names like This Is My Fist, Crispy Nuts, Juggling
Jugulars and Los Dryheavers. For without them, who would provide
such incendiary tracks as "Sweet Fireball," "Dreams
of Fire," "Fireflies" and "Fire"? That's
right -- NOBODY!
Who's that? Jimi Hendrix? No, I've never heard of
them.
----
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