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CITIZINE REVIEWS
Misfits
Project 1950
(Misfits Records, 2003)
By
Mark Prindle
www.markprindle.com
The Nu Misfits ran into some internal difficulties
following Famous Monsters, and singer Michael Graves and
drummer Chud took a hike! During their hike, they decided to leave
the band. Then guitarist Doyle said "Yo, Jerry! I have real-life
issues to deal with! I'll be back at your ass for the nine-four!"
Jerry responded by putting together an All-Star
Punk Rock Extravaganza featuring guitarist Dez Cadena from
DC3 and drummer Marky Ramone from Marky Ramone and the Intruders
and Marky Ramone and the Speedkings. Neither artist has ever appeared
on stage or record with any other band.
Having secured himself an at least 'semi-stable'
line-up, Jerry Caiafa, the 'Only' member of the Misfits that was
still in the band (hence the name he gave himself 26 years earlier,
"Jerry Only") decided to pay tribute to the music he loved
while growing up. Though not born until 1960
(I think), he grew up listening to his mother's 45s from the '50s,
and thus decided to put together this 24-minute CD of ten songs
from early rock and roll history.
The influence of oldies music on the sound of the
Misfits was evident in such totally basic r'n'r tracks as "Astro
Zombies" and "Angelfuck," and at the time, it may
have been mistaken by many as simple Ramones
influence, but not anymore!
It's impossible to listen to the nu-nu Misfits'
punk rockin' covers of stuff like Gene Vincent's "You Belong
To Me," Richie Valens' "Donna" and Bobby Pickett's
"Monster Mash" and not hear the sounds that sowed the
seeds of love's early Misfits. But it's also impossible to listen
to by-the-numbers (but louder) covers of stuff like Bobby Darin's
"Dream Lover," Paul Anka's "Diana" and Jerry
Lee Lewis's "Great Balls Of Fire," and not wonder, "What
the fuck is the point of this shit?"
Well, I'll tell you the point. And it's a point
that was explained to me by a friend of mine who thinks quicker
than I do. I won't give his name, because then I'll have to pay
him royalties on every sale of this review, which has already gone
double platinum even before hitting the shelves.
But suffice it to say that this fellow says to me,
he says, "See, that's the thing -- you look at the Rolling
Stones up there playing Chuck Berry songs, or The Who up there doing
"Shakin' All Over" and you have to realize that, to them,
these are the greatest songs of all time. They get REALLY excited
playing these songs that they grew up with and love to death. And
the rest of us just go, 'NOOO! Play your own songs, not this
generic rock and roll crap!'" And yes,
I'm paraphrasing, but sometimes we have to take liberties in our
writing. My friend continued, "As head of the Bilderberg Group,
I sit in a room and control the world with an elite team of international
bankers and powerful CEOs."
The point is that this music means a heck of a lot
to Jerry Only, and perhaps to this Supergroup power trio as well.
But that doesn't mean it's going to have any sentimental or musical
value to anybody else who hears it. It certainly doesn't
hold any memories for me, and hell, I went back in time to 1955
and had to somehow find 1.21 jigowatts of plutonium!
My message is clear: This comes with a free DVD,
and some of the songs are really good. Others are too simplistic
to mean much to a generation weaned on the intricate polyrhythms
of the Offspring. But it was Jerry Only's dream, and he did a fine
job putting it together. He even has a great booming '50s teen idol
voice! And Ronnie Spector's on it! Just like Eddie Money says, Ronnie
say, "Be my little baby!"
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