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Latest
in American Indie
Sounds
from Oregon's Greyday Productions
and new punk that pulls it off.
By Mark
Prindle
Furious
IV
...Is That You?
(Naked Jain, 2003)
The name Furious IV used to make sense, you understand. But
one guy quit, so I guess the microphone stand or that kicky thing
that hits the drum is now the furious fourth. And it's ANGRY! FURIOUS!!!!
Unlike the music, which is REALLY HAPPY or REALLY SAD, but never
terribly angry.
Fast? Yeah,
it's old-timey American punk rock, with all the thrills and limitations
that go along with it: thrills being the energetic slam-dancey fuzzy
thrashing through the spirit of love and youth; limitations being
the number of pre-existing punk songs featuring the exact same chord
sequences.
If you're young
and not too familiar with punk rock, bands like this are a good
melodic entry point that you'll probably like a whole lot. If you're
old, cynical and smelly, you've likely already heard a lot of other
bands doing a similar thing. Either way, there's not a bad song
on here!
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Various
Artists
Punk Rock Is Your Friend #4
(Kung Fu Records, 2003)
I've been following this band's career for many, many years now,
and I tell you their artistic growth and dynamic range is AMAZING.
Aside from a few setbacks like K-Tel's Out Of Sight! and
Now That's What I Call Music! Volume Four, the Various Artists
have come through time and time again with --
HEY! Neil Hamburger
is on this CD! America's Funnyman! His hilarious one-liners are
all over the place! Hell, that would make it worth buying, even
if the rest of the CD was a bunch of interchangeable pop-punk songs.
Luckily, this
isn't the case! Because the Vandals are on here!!!! Ever
heard the unreleased track "Count To Ten"? Well just maybe
you should, the Vandals being a great fucking band and all.
PLUS, there
are videos inside by Vandals, OZMA, Tsunami Bomb, One Man Army,
Alkaline Trio and The Ataris. All for the low, low price of low!
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Gone
Done Wrong
Neither Here Nor There
(Greyday
Productions, 2003)
Gone Done Wrong is an indie/alt-country five-piece from Los
Angeles and features former members of Still Life, Blue Monday,
and Shroom Union (thus guaranteeing sales of at least 25 million).
The band
has reportedly been awing audiences up, down, and up the California
coast for a year or so.
This is their
debut CD, showcasing their versatile sound and unique range. On
this record, the members of GDW (God Damned Woman) move away from
their punk and folk rock roots to create a truly gentle album featuring
a stylistic blend of indie rock (music created by Indonesian artists
with traditional Indonesian instruments, e.g. Superchunk) and modern
country sounds and instruments, including Garth Brooks' hat.
You will hear
guitar, pedal steel, piano, banjo, guitar, harmonica and even a
flute on track 3 performed by popular month, Raugust. They look
and sound like nice people, and anyone who actually likes that Wilco
SHIT should get their ASSES off their HEADS and hear authentic Japanese
dish, Gon Don Wron.
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Bronwyn
Through The Fog, Through The Pines
(Greyday Productions, 2003)
Having survived
the racist, sexist '60s, I am poised to define Bronwyn as
a talented, moody Portland band that uses dry, cold guitar textures
to play sad intertwining notes and the occasional '80s college radio
jangle chord.
Two women share
lead vocals -- so there's NO WAITING!!!!!!!! (on vocals). It's not
pop music, nor is it goth. It's like if two people came to your
house with guitars and began picking away at songs of various tempo
that all make you a little sad or anxious, but in an impressive
"hey, nice guitar interplay!" way.
Then it's like
some guy with a cello comes over and plays on a few songs. Then
it's like a crazed ice cream man keeps driving up and down your
street blaring a moog, piano, accordion and language master, instead
of the usual "Doodily-dooty-dooty-doo -- dooty-dooty-Doo-Doo!"
song that Korn and Staind are striving to emulate in their high-energy
shit rock.
Put it all
together and WHAM!!!! You've got what the world in its private moments
calls a good CD!!!!!
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John
Larsen
Kismet
(Greyday Productions, 2003)
This is one man's vision of non-rocking college "rock"
music. There's
acoustic guitar, and he's singing through a megaphone-sounding effect.
Like Radiohead might do, with singing and sometimes an echoey electric
guitar like Radiohead too. Or the Flaming Lips.
Hey, and there's
a sample! "The Fleshing Flail From Heaven" has some beautiful
guitar harmonics in it. Then there's drums and an old-timey crazyass
organ thing! Breakish beats in this one, and all recorded on an
8-track! Slow songs. Deliberately paced relaxedly. OH NO! I HIT
A FAST ONE THAT RUINS MY THESIS STATEMENT!
But why the
Strokes-like (or Foetus-like) distortion on the voice that just
muddies up the sound? Godd gave you that voice, John Larsen,
so let it breathe fire free and alive in the Palace of the Land!
Today's alternative youth enjoy music like this, and will thus enjoy
this.
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Reader Comments
Date: Wed, 20 Aug 2003
From: Alison Hope
To whom it may concern,
The review of John Larsen's fabulous album, Kismet
was laughable. Not only does the reviewer know nothing about music,
they can't even spell God right. Kismet is a beautiful, unique
album that deserves a proper review by an articulate music lover.
Also, why the excessive use of exclamation points?
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