| Features | Music |
Citizine Reviews: Locals Only |
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| by Kevin Schooley |
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Saturday, May 02, 2009 |
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The Service Industry, Moonlight Towers, and Rockland Eagles show Austinites how to rock locally. Rockland Eagles
Rockland also incorporates some great 1980s Sunset Strip cock-rock in “Rock Queen,” which you can’t help but compare with underappreciated Los Angeles hard-rockers Love/Hate who had a song of the same name. Unapologetically shameless and without any pretense, these guys know exactly what targets they want to hit with references to The Six Million Dollar Man, roller-skates, and The French Connection. The more things change…
Moonlight Towers
Granted, the Towers’ approach isn’t quite as spacey or pseudo-intellectual as those aforementioned Austinites, but it is as proficient as a pop/rock band can get (think Fastball before “The Way” got run into the ground on the radio). Triple threat Jacob Schulze helms the lead guitar, Hammond organ, and grand piano alongside fellow tradesman James Stevens on vocals, guitar, and Rhodes keyboard, with ample backing from skin-pounder Richard Galloway and bassist Jason Daniels to form an album that could be almost all singles, both in style and due to the fact they’re under four minutes long. Head-bopping, toe-tapping layers of what borderlines bubblegum sneak forth on “Got Your Love” and the major standout, “I Sleep Alone,” while somewhat darker tones creep from “Another Castaway.” This disc almost hints at date night done right -- or wrong, as the heart strings are pulled more often than not in tales of lovin, lyin’, losin’, and leavin.
The Service Industry
Probably the most gleefully sarcastic of the more recent crop of rock bands, The Service Industry skewers frat boys, the hypocrisy of their hometown, quirks of growing older than 30, doing lines of coke with one’s boss, and the culinary genius of enchiladas, and all on this one record. The song structures and the vocal layering hint at the mainstay influences from 1970s Album-Oriented Rock like Cliff Richards, Neil Diamond, Jackson Browne, and Warren Zevon, as well as post-modern pop-rockers Urge Overkill and The Replacements on tunes like “Churchy” and “Seaworld.” Instead of looking down their noses at the 9-to-5 ratrace or trying to give it the world’s biggest middle finger, The Service Industry takes a higher-minded, yet somewhat snarky approach to the daily grind, and in a blissfully melodic manner. It’s akin to eating dessert before the main course; kind of sweet at first, but fulfilling and substantive overall. With a record like this, these guys surely deserve more than the standard fifteen percent gratuity. Kevin Schooley hosts a late night radio program on KAOS Radio (www.kaosradioaustin.org).
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